Six quirky but brave children encounter the trail of a vast and terrible paranormal malevolence that has invaded our existence from the farthest reaches of oblivion. They must spend their lifetimes confronting it, facing terror upon terror in the struggle.
This describes the premise, roughly, of Stephen King’s iconic book It (a standout in his career; undeniable). It is also the plot of Stephen King’s offspring Joseph Hillstrom King’s new massive horror novel, in which a band of six summon the age-old, utterly malevolent dragon the Sorrowful Monarch from the Abyssal Void to help them defeat some baddies. Needless to say, their supernatural ritual goes awry.
Joe Hill launched his profession making great efforts to distance himself from his famous father, adopting the nom de plume he maintains to this day and avoiding meeting his agent (he possesses a strong similarity to his dad). However, in his newest work, he leans into it. Several quotes that deliberately echo some of his father’s iconic (“The man in black fled across the desert …”); a incident that recalls a King plot point (a game of puzzles). In this epic story, the author rejoices in his lineage, and readers share in the joy.
Focusing on the companions: most are students at the made-up the esteemed institution in this northeastern locale. We have Arthur, studious and brilliant, cracking historical enigmas in his spare time; another key figure, affluent, clever, and known for crushing anyone who stands in his way; the twin siblings; the attractive Allie herself. Additionally, Gwen appears, who remains outside their academic circle, but becomes a key part of their group as they experiment, partly convinced, somewhat doubtful, in the occult.
Arthur is, due to circumstances beyond his control, forced into stealing rare books from his beloved college library by a group of neighborhood thugs. This wounds his academic spirit, especially when he’s forced to acquire the institution’s prized and unsettling work: the diary of adept this enigmatic character (condemned “for conspiring with dark forces in 1703”; the binding is crafted from his flesh). Our Scooby gang read the journal, learn they can invoke what the author references as a clever snake to help Arthur out with his extortion dilemma – and spend the rest of the novel enduring the repercussions. King Sorrow will certainly eliminate those troublesome local drug dealers, but they’ll have to choose a different victim each year or fall prey to the beast. As Arthur later puts it: “You sow dragon’s teeth, all you get is more dragons.”
Covering a generation, Hill also moves with effortless ease through various literary forms: as the companions strive to manage the predicament they find themselves in by, variously, choosing undeniably wicked targets to immolate, or hunting down ways to slay the beast themselves, we move between page-turner to shadowy tale, covert operations to love story to horror. One particularly memorable shift was to a quest story, within the subterranean depths beneath this UK region, a section sprinkled with the fantasy maestro that was wonderfully frightening.
There are trolls – those living under bridges and digital trolls, properly scary and superbly depicted. There are magical swords and deceptions, pulse-pounding sequences of valor and instances of dreadful evil, both mortal and extraterrestrial. It’s a tour de force: a frightening tale that is above all a tribute to the human inventiveness, and to devotion and companionship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the allies sit around the table, preparing to summon their beast into existence with the force of their minds.
According to Joe Hill in his epigraph: “Hic sunt dracones”. Don’t miss them.
A tech enthusiast and consumer advocate with over a decade of experience testing and reviewing products across various categories.